YoungFilmmakers September 2015 Screening

On Tuesday we hosted our fourth screening event at Anthology Film Archives in New York.

 

Tuesday / September 15th

NewFilmmakers goes Back to School with YoungFilmmakers

6:00PM NEWFILMMAKERS FIRST SHORT FILM PROGRAM

Spencer Sabo MIND THE JOURNEY - WHEN IT HAPPENS (2015, 3 minutes, video)
Marcello Demner ROLE PLAY (2014, 6 minutes, video)
Brian Russell SAM GOES TO COLLEGE III (OR HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMBER SUB) (2014, 6 minutes, video)
Sophia Harvey YELLOW HEART (2015, 19 minutes, video)
Christina Lodato HERE OR TWO GO (2014, 25 minutes, video)

7:15PM NEWFILMMAKERS SECOND SHORT FILM PROGRAM

James Serpico CHINK (2015, 3 minutes, video)
Sondra Lacey THE FLOUR SACK (2015, 7 minutes, video)
Riley Beres DOUBLE TURNOVER (2015, 14 minutes, video)
Nicholas Stonehouse D.L. FITZSIMMONS PRESENTS : THE CLASS ACTS ! (2015, 18 minutes, video)

8:30PM NEWFILMMAKERS FIRST FEATURE PRESENTATION

Taylor Camarot PURSUING THE VOID (2013, 20 minutes, video)
Nicholas Marchese MY BROTHER’S GIRLFRIEND (2014, 64 minutes, video)
A lost and confused teenager struggling through his everyday routine finds his way in life with the help of an unexpected and ironic relationship.

Last modified onWednesday, 16 September 2015 14:12
Brandon Ruckdashel

Brandon Ruckdashel is the Festival Director for YoungFilmmakers. He has been the Program Director for NewFilmmakers for the last three years and Marketing Director for six. Brandon is a filmmaker who is most well known for his acting work in the HBO series Co-Ed Confidential and numerous B-Movies. Brandon has worked with Roger Corman alumni Fred Olen Ray and Jim Wynorski along with a number of other very talented directors. Brandon's Directorial debut GRINDER will be out in theaters in 2016.

YoungFilmmakers screens quarterly in New York at Anthology Film Archives. Opened in 1970 by Jonas Mekas, Jerome Hill, P. Adams Sitney, Peter Kubelka, and Stan Brakhage, Anthology in its original conception was a showcase for the Essential Cinema Repertory collection. An ambitious attempt to define the art of cinema by means of a selection of films which would screen continuously, the Essential Cinema collection was intended to encourage the study of the medium’s masterworks as works of art rather than disposable entertainment, making Anthology the first museum devoted to film as an art form. The project was never completed, but even in its unfinished state it represented an uncompromising critical overview of cinema’s history, and remains a crucial part of Anthology’s exhibition program.

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