YoungFilmmakers Schedule Fall 2017

Wednesday / October 4th


Joann Calabrese IS FEAR (2017, 3 minutes, digital)
Karen Morey A MINOR PROBLEM (2017, 3 minutes, digital)
Camille Viollet A FAVOR (2017, 5 minutes, digital)
Hermoine Sylvester BREATHING THOUGHTS (2017, 6 minutes, digital)
Mariana Hoitt-Lange TIDES (2017, 8 minutes, digital)
Devon Kane WOMAN SEEKING SOMETHING (2017, 11 minutes, digital)
Beatrice von Scherin (2015, 15 minutes, digital)

Wednesday / November 1st


Richard Schertzer THE LITTLE CHAPEL (2016, 4 minutes, digital)
Sunce Franicevic GRATIFIED (2017, 14 minutes, digital)
Eugenio Villani OTHERS LIKE YOU (2017, 17 minutes, digital)
Yichi Zhang IN PASSING (2017, 19 minutes, digital)

Wednesday / December 6th


Patrick Ford RUNAWAYS (2017, 5 minutes, digital)
Robin Wang SWITCH (2017, 25 minutes, digital)
James McKenzie SHADOWSTAR RETURNS (2017, 22 minutes, digital)

Thursday / December 21st


Ben Willis THE SPIRIT OF THE DEAD (2017, 5 minutes, digital)
Cole Kornell UNENDING LOVE (2017, 9 minutes, digital)
Dante Capone SHART (2017, 11 minutes, digital)
Stella Asmon TERKA NOVA (2017, 11 minutes, digital)
Luke Brubaker CHARACTER STUDY (2017, 12 minutes, digital)
James Fink-Jensen STREET GAMES (2017, 14 minutes, digital)

Last modified onTuesday, 19 September 2017 16:08
Brandon Ruckdashel

Brandon Ruckdashel is the Festival Director for YoungFilmmakers. He has been the Program Director for NewFilmmakers for the last three years and Marketing Director for six. Brandon is a filmmaker who is most well known for his acting work in the HBO series Co-Ed Confidential and numerous B-Movies. Brandon has worked with Roger Corman alumni Fred Olen Ray and Jim Wynorski along with a number of other very talented directors. Brandon's Directorial debut GRINDER will be out in theaters in 2016.

YoungFilmmakers screens quarterly in New York at Anthology Film Archives. Opened in 1970 by Jonas Mekas, Jerome Hill, P. Adams Sitney, Peter Kubelka, and Stan Brakhage, Anthology in its original conception was a showcase for the Essential Cinema Repertory collection. An ambitious attempt to define the art of cinema by means of a selection of films which would screen continuously, the Essential Cinema collection was intended to encourage the study of the medium’s masterworks as works of art rather than disposable entertainment, making Anthology the first museum devoted to film as an art form. The project was never completed, but even in its unfinished state it represented an uncompromising critical overview of cinema’s history, and remains a crucial part of Anthology’s exhibition program.